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(And on this Valentine’s Day, it’s certainly preferable to his 2010 film “Valentine’s Day.”) One subplot here seems so disconnected from all the others, it could have been eliminated entirely and not made much of a difference to the central story.From a tonal perspective, though, director Christian Ditter pulls off a pretty tricky feat in balancing the film’s pervasive bawdiness with moments of real substance and heart.

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